01 ottobre: la violoncellista Helen Money (L.a. - USA Thrill Jockey) al Blah BLah di Torino- Violoncellista
Il 01 ottobre, la violoncellista Helen Money (L.a. - USA Thrill Jockey) al Blah Blah di Torino (5 euro). La musica di Helen Money, violoncellista californiana attiva da oltre 20 anni, è figlia di viaggi “iperuranici", di privazione e rinascita, sotterranea e splendente, elettrica ed ineccepibile. È stata chiamata a suonare e ad aprire i tour mondiali di Portishead, Shellac, Swans, Mono, Magma, Neurosis, Jarboe, Broken Social Scene, Anthrax.
Blah Blah
presenta:
Domenica 01 ottobre
ore 21:30
Blah Blah
via Po 21, 10124 Torino
Helen Money (L.a - Usa Thrill Jockey)
La violoncellista Helen Money in concerto al Blah Blah di Torino
Violoncellista supporting Shellac, Mono, Portishead.
Ingresso 5 euro.
La musica di Helen Money, violoncellista californiana attiva da oltre 20 anni, è figlia di viaggi “iperuranici", di privazione e rinascita, sotterranea e splendente, elettrica ed ineccepibile, tanto che definirla sarebbe riduttivo. Non resta che immergersi a fondo tra le sue “spire". È stata chiamata a suonare e ad aprire i tour mondiali di Portishead, Shellac, Swans, Mono, Magma, Neurosis, Jarboe, Broken Social Scene, Anthrax. Già di per sé il violoncello è uno strumento estremamente espressivo, in grado di adattarsi ai più disparati tipi di musica con un’intensità ultraterrena, se poi a suonarlo è una musicista come Helen Money, state pur certi che il vostro cuore andrà in frantumi e le vostre orecchie non potran più farne a meno. Approda in casa Thrill Jockey con il suo album capolavoro, senza mezzi termini, “Become Zero”. Un disco tremendamente intenso, a tratti feroce, che si svuota e riempie di continuo, tra silenzi cosmici e rasoiate in pieno volto. La musica di Alison è viscerale e ottundente al tempo stesso e arriva dritta a toccare parti dell’anima che meno vorreste venissero smosse così a fondo e con tale splendore e dovizia.
American cellist Helen Money, who toured Europe in the last years supporting Shellac, Mono, Portishead among others, is back for her first headlining tour in September 2017.
Alison Chesley, known also by her stage name Helen Money, is a classically trained cellist who draws her inspiration not only from Pablo Casals and Shostakovich but Jimi Hendrix and The Minutemen.
She began playing the cello at the age of 8 in her hometown of Los Angeles and steered a course towards a career in classical music until she went to Chicago to attend Northwestern University and decided to go full steam ahead in pursuit of a career outside of it. She began a busy period as a solo artist, especially on Chicago's then thriving studio scene, where she played on over 100 albums including those by Bob Mould, Broken Social Scene, Anthrax, Mono, Russian Circles, Disturbed and Poi Dog Pondering. She began composing music for films, theater and dance including two world premiers with the modernist icon Shirley Mordine.
In 2007, Alison wrote the first Helen Money album and released it on her own label, Cellobird Records. Since then, she's recorded three additional albums as Helen Money: "In tune", also on her label, "Arriving angels" on Profound Lore Records and her latest "Become Zero" out on Thrill Jockey.
Written after the death of both of her parents, "Become Zero" amplifies Chesley's musical ferocity with palpable sadness and striking beauty taking us on a journey as she grapples with the concepts and the emotions of life's end: loss, isolation, sorrow, peace and resolution.
Helen Money is equally at home in the New Music realm as she is in the New Metal realm. She has toured extensively with an incredible array of musicians, including Shellac, Neurosis, Sleep, Russian Circles, Magma, Agalloch, Earth, and Nina Nastasia. Both Portishead and Shellac selected her for their respective All Tomorrow's Parties festivals.
Read more about Helen Money in this feature/interview with The Guardian.
"Become Zero is an obliteration of the senses to leave one wrung out and euphoric, offering both epiphanies from Heaven and elegies from Hell. " - The Quietus
"The most interesting feature of Helen Money's live performance is the ease at which Chelsey's compositions shift between the two poles of vulnerability and harshness. The whole performance comes off as simultaneously heavy and disarming." - CVLT Nation
"Become Zero is spare but heavy, dark but beautiful, melodic but meditative." - The Guardian
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